African Diaspora A Musical Perspective Critical and Cultural Musicology Series
Coordonnateur : Monson Ingrid
The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music.
Ingrid Monson is Quincy Jones Professor of African American Music at Harvard University. She won the Sonneck Society's 1998 Irving Lowens Prize for the best book in American music for her 1996 Saying Something,Jazz Improvisation and Interaction. She was also a founding member of the nationally known Klezmer Conservatory Band, and plays trumpet with jazz and salsa bands. Monson previously was Associate Professor of Music at Washington University in St. Louis, and has taught at the University of Michigan, Harvard (as Visiting Professor), and University of Chicago. She has a Ph.D. and an M.A. in Musicology from NYU, and a B.M. from New England Conservatory. Monson is currently working on two books: one on the impact of the Civil Rights Movement and African Independence on the history of jazz, and one on the musics of the African Diaspora.
Date de parution : 09-2016
15.2x22.9 cm
Disponible chez l'éditeur (délai d'approvisionnement : 14 jours).
Prix indicatif 196,56 €
Ajouter au panierDate de parution : 07-2003
15.2x22.9 cm
Thèmes d’African Diaspora :
Mots-clés :
Young Man; music; Ladysmith Black Mambazo; salif; Folk Opera; keita; Salif Keita; art; Jazz Performance; blakey; Mory Kante; americans; African Diaspora; american; African Music; ladysmith; Jazz Musicians; black; African Americans; mambazo; Rara Bands; African Diasporic Musics; South African National Anthem; Martinican Identity; Mint Juleps; Blues Aesthetic; Oumou Sangare; Sunjata Keita; Ahmadiyya Movement; Jazz Community; Yoruba Traditional; African American Music; Black Bird; Master Hunter; Yoruba Traditional Culture