The African Diaspora A Musical Perspective Critical and Cultural Musicology Series
Coordonnateur : Monson Ingrid
The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, North America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Featured here are jazz, wassoulou music, and popular and traditional musics of the Caribbean and Africa, framed with attention to the reciprocal relationships of the local and the global.
Ingrid Monson is Associate Professor of Music at Washington University in St. Louis. She is the author of Saying Something: Jazz Improvisation and Interaction and numerous articles that have appeared in scholarly journals. She lives in St. Louis, MO.
Date de parution : 05-2016
13.8x21.6 cm
Date de parution : 11-2000
13.8x21.6 cm
Thème de The African Diaspora :
Mots-clés :
Ladysmith Black Mambazo; ladysmith; Mory Kante; black; Young Man; mambazo; Salif Keita; folk; African Diasporic Musical; opera; Sunjata Keita; jazz; Moorish Science Temple; performance; Jazz Performance; mory; Godwin Agbeli; kante; African Music; musicians; Folk Opera; Travis A; Jackson; Rara Bands; Veit Erlmann; Oumou Sangare; Jerome Harris; Les Ballets Africains; Martinican Identity; Lansiné Kaba; Yoruba Traditional Culture; brie Charry; Ahmadiyya Movement; Akin Euba; Blues Aesthetic; Steven Cornelius; Mint Juleps; Gage Averill; Jazz Community; Yuen-Ming David Yih; Yoruba Traditional; Julian Gerstin; Vodou Ceremonies; African American Music; Lady Smith Black Mambazo; Ogou Feray