Scoring the Hollywood Actor in the 1950s Ashgate Screen Music Series
Auteur : Camp Gregory
Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies.
Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor?s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors? voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s.
This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.
Introduction
Chapter 1: Musicalising Montgomery Clift
Chapter 2: Kazan, Brando, and Mélomania
Chapter 3: Hitchcock’s Time Vectors of Acting and Music
Chapter 4: Day, Monroe, and Gendered Music
Chapter 5: Dissonance and Consonance in James Dean’s Films
Chapter 6: Waters, Poitier, Music, and Race
Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli
Conclusion
Gregory Camp is a Senior Lecturer at the University of Auckland School of Music, New Zealand.
Date de parution : 08-2022
15.6x23.4 cm
Disponible chez l'éditeur (délai d'approvisionnement : 14 jours).
Prix indicatif 48,88 €
Ajouter au panierDate de parution : 12-2020
15.6x23.4 cm
Disponible chez l'éditeur (délai d'approvisionnement : 14 jours).
Prix indicatif 135,96 €
Ajouter au panierThèmes de Scoring the Hollywood Actor in the 1950s :
Mots-clés :
Wild River; Cinematic performances; Young Man; Hollywood film; Leonard Rosenman; Temporal vector; Semiotic Square; Film music; Doris Day; Montgomery Clift; Streetcar Named Desire; James Dean; North’s Score; Magical Negro; Vincente Minnelli; Vice Versa; Long Shot; Herrmann’s Music; Gentlemen Prefer Blondes; Dean’s Performance; Ethel Waters; Wild Man; Magnificent Obsession; Gogh; Vincent Van Gogh; Belle Reve; Driving Scenes; Dimitri Tiomkin; Sirk’s Films; Driving Sequence