James Joyce and the Matter of Paris

In James Joyce and the Matter of Paris, Catherine Flynn recovers the paradigmatic city of European urban modernity as the foundational context of Joyce's imaginative consciousness. Beginning with Joyce's underexamined first exile in 1902?03, she shows the significance for his writing of the time he spent in Paris and of a range of French authors whose works inflected his experience of that city. In response to the pressures of Parisian consumer capitalism, Joyce drew on French literature to conceive a somatic aesthetic, in which the philosophically disparaged senses of taste, touch, and smell as well as the porous, digestive body resist capitalism's efforts to manage and instrumentalize desire. This book resituates the most canonical of Irish modernists in a European avant-garde context while revealing important links between Anglophone modernism and critical theory.

Introduction: the matter of Paris; 1. Paris encountered: 1902–03 writings; 2. Paris recognized: Stephen Hero and Portrait; 3. Paris digested: 'Lestrygonians'; 4. Paris re-envisioned: 'Circe'; 5. Paris profanely illuminated: Joyce's Walter Benjamin; 6. Paris compounded: Finnegans Wake.

Catherine Flynn is Associate Professor of English at University of California, Berkeley. She is the editor of a forthcoming volume titled The New Joyce Studies (Cambridge). She is co-editor with Richard Brown of the James Joyce Quarterly special issue, 'Joycean Avant-Gardes'. Before studying literature, she practiced as an architect in Vienna, Austria, and in Ireland.