Hanguk Hip Hop, 1st ed. 2019 Global Rap in South Korea East Asian Popular Culture Series

How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges.

Throughout the chapters, Korean hip hop is examined through the notion of buran?personal and societal anxiety or uncertainty?and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that it continuously evolves within the conditions of Korean society.

Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.

Offers the first scholarly book-length study in English or Korean on the subject Korean hip hop

Engages with issues related to global hip hop, Korean hip hop, K-pop, Korean identity in transnational contexts, and ethnographic methodologies

Explicates the term "Hanguk hip hop" and its relation to broader issues of Korean identity and cultural production