Women and Images of Men in Cinema Gender Construction in La Belle et la Bete by Jean Cocteau
Auteur : Hamburger Andreas
Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal gro
Date de parution : 07-2019
15.2x22.9 cm
Thème de Women and Images of Men in Cinema :
Mots-clés :
Young Man; Freeing Women; Mme Leprince De Beaumont; Successful Individuation; La Belle; Leprince De Beaumont; Initiation Researchers; Latent Meaningful Structure; Fairy Tale; Omnipotent Parental Imago; Cocteau's Film; Women’s Film Experience; Hildegard Knef; Michael Ballhaus; Beast's Castle; Cocteau’s Version; Animal Bridegroom; Survival Attempt; Beauty’s Father; Big Bad Wolf; Literary Fairy Tale; Transgenerational Legacies; Jean Marais; Envious Sisters; Female Spectator