Karl Barth's Analogy of Beauty Its Basis and Implications for Theological Aesthetics Barth Studies Series
Auteur : Dunstan Andrew
Preface
Introduction
Part I: Analogia Gloriae
1 Barth’s Concept of Analogy (1919–1968)
2 Barth’s Concept of Natural Revelation (1919–1968)
3 Barth’s Analogia Gloriae (1940)
Part II: Analogia Pulchritudinis
4 Antecedents: Barth’s Rudimentary Analogy of Theological, Ecclesial and Worldly Beauty (1919–1940)
5 Climax: Barth’s Comprehensive Analogy of Theological, Ecclesial and Worldly Beauty in Church Dogmatics §31.3 (1940)
6 Final Confirmation: Barth’s Continuing Analogy of Theological, Ecclesial and Worldly Beauty (1940–1968)
Part III: Significance
7 Implications for Contemporary Theological Aesthetics
Conclusion
References
Index
Andrew Dunstan (DPhil, University of Oxford) is Lecturer in Systematic Theology at Malyon Theological College, the Australian College of Theology.
Date de parution : 09-2023
15.6x23.4 cm
Date de parution : 12-2021
15.6x23.4 cm
Thème de Karl Barth's Analogy of Beauty :
Mots-clés :
Theological Aesthetics; Worldly Beauty; Church Dogmatics; Analogia Fidei; Fides Quaerens Intellectum; Analogia Entis; Natural Revelation; God’s Beauty; Barth’s Theology; Von Balthasar; Balthasar’s Interpretation; Barth’s View; Barth’s Concept; God’s Glory; Church Dogmatic Iv; Eternity Time Dialectic; John De Gruchy; Life Jesus Christ; Balthasar's Reading; Barth’s Description; Cd II; Church Proclamation; Divine Human Relation; De Gruchy