General History of Chinese Film III 1976–2016 Routledge Studies in Chinese Cinema Series
Auteur : Yaping Ding
The Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era.
As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history.
The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film.
Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs.
Jin Haina is professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.
Date de parution : 09-2023
15.6x23.4 cm
Disponible chez l'éditeur (délai d'approvisionnement : 14 jours).
Prix indicatif 56,31 €
Ajouter au panierDate de parution : 12-2021
15.6x23.4 cm
Thèmes de General History of Chinese Film III :
Mots-clés :
History; Image Production; Age of Digitalization; Internet Age; Chinese Films; Beijing Film Academy; High Box Office Revenues; Main Melody Films; Zhang Yimou; Ip Man; Chen Kaige; Shanghai Film Studio; China Film Group; Feng Xiaogang; Jia Zhangke; Young Man; International Film Festival; Box Office Revenues; Chinese Film History; Jiao Yulu; Bullets Fly; Tianyun Mountain; Lu Xun; Xie Fei; Wu Gang; Wang Xiaoshuai; Mainland Films; Mei Lanfang; Red Sorghum