Wonder Woman and Captain Marvel Militarism and Feminism in Comics and Film Routledge Focus on Gender, Sexuality, and Comics Series
Auteur : Cocca Carolyn
This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war.
It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters? feminism and militarism render them particularly appealing and profitable in contentious times.
This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women?s and gender studies.
Introduction; Chapter 1: Gender, Violence, and Militainment; Chapter 2: Military Service, Empowerment, and Diversification; Chapter 3: The Othering of Adversaries and Refugees; Conclusion
Carolyn Cocca, PhD, is Professor of Politics, Economics, and Law at the State University of New York, College at Old Westbury. Her Superwomen: Gender, Power, and Representation won the 2017 Will Eisner Comic Industry Award in the Best Academic/Scholarly Work category, and she has written numerous articles and book chapters on female superheroes and the importance of representation. She is also the author of Jailbait: The Politics of Statutory Rape Laws in the United States and the editor of Adolescent Sexuality. She teaches courses in U.S. politics, law, and gender studies.
Date de parution : 02-2022
13.8x21.6 cm
Date de parution : 08-2020
13.8x21.6 cm
Thème de Wonder Woman and Captain Marvel :
Mots-clés :
Captain Marvel; feminism; Female Engagement Teams; Wonder Woman's film; Uncanny X-Men; Captain Marvel's film; Superhero Genre; militarism; Female Superheroes; Male Superheroes; Nick Fury; Captain America; Alpha Flight; Crack Addict; Diana Prince; Marvel Cinematic Universe; Superhero Comics; Air Force Special Operations; Feminist Transnational Solidarity; Iron Patriot; Feminized Community; Female Allies; Righteous Violence; Green Lantern; Military Aesthetics; Super Hero; Superhero; Justice League; Idealized Feminine Whiteness