Digital Audio Editing Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One
Auteur : Langford Simon
What exactly is audio editing?
Chapter One: Audio Editing 101
Chapter Two: The Different Aims Of Audio Editing
Section One: Corrective Editing
Chapter Three: Cutting, Copying, Pasting and Moving
Chapter Four: Fades and Crossfades
Chapter Five: Level Control
Chapter Six: Tonal Matching
Chapter Seven: Comping and Alternate Takes
Chapter Eight: Multi-track Comping
Chapter Nine: Transient Detection
Section Two: Creative Editing
Chapter Ten: Beat-mapping and Recycling
Chapter Eleven: Drum Replacement
Chapter Twelve: Time-stretching
Chapter Thirteen: Elastic Audio (Time)
Chapter Fourteen: Pitch Shifting
–Section Three: Restorative Editing
Chapter Fifteen: Editing In The Third Dimension
Chapter Sixteen: Spectral Editing
Chapter Seventeen: Applications of Audio Restoration
Chapter Eighteen: Demixing
Chapter Nineteen: Thinking Outside The Box
Simon Langford is a professional music producer and remixer, with close to ten years of experience. He has worked on over 300 remixes, and has had tracks of his own in the UK National Top 20 Single Chart and the US Billboard Dance Chart. Simon is a regular contributor to Sound On Sound magazine and the author of The Remix Manual (Focal Press).
Date de parution : 11-2013
19.1x23.5 cm
Date de parution : 08-2017
19.1x23.5 cm
Thèmes de Digital Audio Editing :
Mots-clés :
pro; tools; logic; file; arrange; window; regions; elastic; tune; transient; Play Back; Warp Marker; Quick Swipe Comping; MIDI Fi Le; Elastic Audio; Sample Editor Window; Fundamental Frequency; Transient Markers; Pro Tools; Midi Region; Arrange Window; Audio Region; Digital Audio Editing; Midi Note; Waveform Overview; Spectral Editor; Daw Software; Multiband Compressor; Audio File; Bend Marker; Waterfall Plots; Forensic Audio; Recycled Files; Midi Track; Comp Track
