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Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity, 1st ed. 2019 Springer Series on Bio- and Neurosystems Series, Vol. 10

Langue : Anglais

Coordonnateurs : Contreras-Vidal Jose L., Robleto Dario, Cruz-Garza Jesus G., Azorín José M., Nam Chang S.

Couverture de l’ouvrage Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity
Mobile Brain?Body Imaging and the Neuroscience of Art, Innovation and Creativity is a trans-disciplinary, collective, multimedia collaboration that critically uncovers the challenges and opportunities for transformational and innovative research and performance at the nexus of art, science and engineering. 

This book addresses a set of universal and timeless questions with a profound impact on the human condition: 

  • How do the creative arts and aesthetic experiences engage the brain and mind and promote innovation?
  • How do arts?science collaborations employ aesthetics as a means of problem-solving and thereby create meaning?
  • How can the creative arts and neuroscience advance understanding of individuality and social cognition, improve health and promote life-long learning?
  • How are neurotechnologies changing science and artistic expression?
  • How are the arts and citizen science innovating neuroscience studies, informal learning and outreach in the public sphere?

Emerging from the 2016 and 2017 International Conferences on Mobile Brain?Body Imaging and the Neuroscience of Art, Innovation and Creativity held in Cancun, Mexico and Valencia, Spain to explore these topics, this book intertwines disciplines and investigates not only their individual products?art and data?but also something more substantive and unique; the international pool of contributors reveals something larger about humanity by revealing the state of the art in collaboration between arts and sciences and providing an investigational roadmap projected from recent advances.

Mobile Brain?Body Imaging and the Neuroscience of Art, Innovation and Creativity is written for academic researchers, professionals working in industrial and clinical centers, independent researchers and artists from the performing arts, and other readers interested in understanding emergent innovations at the nexus of art, science, engineering, medicine and the humanities. The book contains language, design features (illustrations, diagrams) to develop a conversational bridge between the disciplines involved supplemented by access to video, artistic presentations and the results of a hackathon from the MoBI conferences. 

Foreword .- Introduction.- Part I.- Neuroaesthetics and Creativity: How Do the Creative Arts Engage the Human Mind and Promote Creativity and Innovation Across Fields?.- Introduction to Part I.- How Artists Think (or the History of Neuroaesthetics).- Art and Neuroscience: a State of the Union.- Brain Mechanisms of Creativity: What We Know, What We Don’t.- SPECIAL MULTIMEDIA FEATURE: Interviews.- Part II: How Do Arts-Science Collaboration Create New Knowledge through Aesthetic Problem Solving?.- Introduction to Part II.- Myths and Realities of Art: Science Collaborations.- Forging New Paths between Art, Materials and Society.- Is Beauty in the Eye of the Beholder or an Objective Truth? A Neuroscientific Approach.- Part III: Brain Mechanisms of Aesthetic Perception and Artistic Brain–Computer Interfaces.- Introduction to Part III.- How We See Art and How Artists Make It.- Reverse Engineering of Creativity.- Chapter 9 (no title yet).- SPECIAL MULTIMEDIA FEATURE Your Brain on Art: Creativity in Sound, Movement and Visual Arts.- Part IV: Cognitive and Medical Applications: How Can Arts and Neuroscience Research Improve Physical and Mental Health and Promote Wellbeing?.- Introduction to Part IV.- Outcomes of Art Therapy Treatment for Military Service Members with Traumatic Brain Injury and Post-Traumatic Stress.- Brain on Art therapy: Examining Processes and Outcomes of Art Making in Therapeutic Contexts.- Chapter 12: No title (TBC).- Part V. Mobile Brain–Body Imaging Technologies: How Disruptive Neurotechnologies Are Changing Science, Arts and Innovation.- Introduction to Part V.- Control Mechanisms in Artistic Brain–Computer Interfaces.- The Art, Science and Engineering of BCI Hackathons.- ArtScience Navigating the Ecology of Knowledge: Lessons Learned and Suggestions for Transdisciplinary Apprenticeships.- Part VI. How Can The Arts and Neuroscience Describe and Promote the Processes of Learning and Creativity in K-12 and Higher Education?.- Introduction to Part VI.-The Effects of Arts Integration on Learning: From Research to Practice.- Bach to Explore the Tension between Novelty and Familiarity and Examine the Implications for Imaging/Brain Science.- No title (TBA).- Part VII. Experiential Learning in Art–Science Hackathons.- Introduction to Part VII.- Brain and Painting.- Do, Re, Mi and EEG.- Purpose-Specific EEG Placement Prototype to Limit User Discomfort and Burden.- Harnessing Creative Skill Training in Artistic BCIs.- True Integration, the MoBI Hackathon for STEM informing Arts and Arts informing STEM.- Paint with Brainwaves: An Active BCI Painting Prototype.- Mediated Interdependence in Motion: A Co-op Augmented Reality  and Brain-Computer Interface Installation.- Mind’s EYE: Multimodal Theatrical Staging: An Alternative Picture of a Human Mind.- Part VIII: Roadmap.

Dr. Jose L. Contreras-Vidal is the Hugh Roy and Lillie Cranz Cullen Distinguished Professor of Electrical & Computer Engineering, Site Director for the National Science Foundation Industry-University Collaborative Research Center on Building Reliable Advances and Innovations in Neurotechnologies (IUCRC BRAIN), and Director of the Laboratory for Noninvasive Brain-Machine Interface Systems at the University of Houston. He is also a Full Affiliate in the Department of Neurosurgery at the Houston Methodist Hospital and a Distinguished Visiting Professor at the Tecnologico de Monterrey, Mexico.
Dr. Contreras-Vidal’s research focuses on neural, cognitive and rehabilitation engineering, and the design of noninvasive brain-machine interfaces (BMI) and wearable and therapeutical robotics to restore, augment or assist whole body movement after physical injury or neurological conditions. His laboratory has pioneered the development of noninvasive BMI systems based on scalp EEG to control motorized exoskeletons and robotic prosthetic limbs to restore motor function in individuals with spinal cord injury, stroke and limb amputation. His team has also developed experimental and computational approaches to acquire brain activity in ‘action and in context’ in complex real settings using context-aware mobile brain-body imaging (MoBI) technology to study aesthetics, creativity and innovation. Dr. Contreras-Vidal has pioneered the concept of “The Museum as a Public Laboratory” to understand brain dynamics in freely behaving individuals. Dr. Contreras-Vidal’s research has been supported by the National Institutes of Health, the National Science Foundation, the VA, ONR, the Cullen Foundation, Mission Connect - TIRR Foundation, and industry. He is in the editorial board of IEEE Human-Machine Systems, International Journal Mobile Human Computer Interaction, Frontiers in Neuroprosthetics, Applied Bionics and Biomechanics, Brain Computer Interfaces, and was a Guest Editor of an
Reviews research on the study of brain dynamics and mobile brain–body imaging research in innovation and creativity Language and multimedia focus emphasizes the building of bridges between the arts and neuroscience Describes applications of neuroimaging technology to promote understanding of human cognition and behaviour Uses case studies for researchers and practitioners wanting to enter the field Sets a roadmap for the future by acting as a repository of the open questions, challenges and opportunities

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158,24 €

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Date de parution :

Ouvrage de 221 p.

21x27.9 cm

Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).

158,24 €

Ajouter au panier