New York in Cinematic Imagination The Agitated City Routledge Research in Planning and Urban Design Series
Auteur : Filipcevic Cordes Vojislava
New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic representations of the American metropolis in the twentieth century. It contextualizes spatial transformations and discourse about New York during the Great Depression and the Second World War, examining both imaginary narratives and documentary images of the city in film.
The book argues that alternating endorsements and critiques of the 1920s machine age city are replaced in films of the 1930s and 1940s by a new critical theory of "agitated urban modernity" articulated against the backdrop of turbulent economic and social settings and the initial practices of urban renewal in the post-war period.
Written for postgraduates and researchers in the fields of film, history and urban studies, with 40 black and white illustrations to work alongside the text, this book is an engaging study into cinematic representations of New York City.
Introduction
Chapter One: New York’s Agitated Urban Modernity
Chapter Two: The City in Motion
Chapter Three: Urban Planning and the Spaces of Democracy
Chapter Four: In the Streets of Harlem
Chapter Five: The Agitated City
Chapter Six: Agitation Implodes
Coda: Of Urban Remains
Bibliography
Vojislava Filipcevic Cordes holds a Ph.D. in Urban Planning from Columbia University, and was a Paul E. Raether Postdoctoral Fellow in Urban and Global Studies at Trinity College. She is a New York-based scholar whose research focuses on cinema and urban space, immigrant incorporation, and political activism in sanctuary cities.
Date de parution : 01-2023
15.6x23.4 cm
Date de parution : 07-2020
15.6x23.4 cm
Thèmes de New York in Cinematic Imagination :
Mots-clés :
Young Man; agitated urban modernity; HUAC Hearing; New York City; True Crime Magazines; cinematic imagination; Abraham Polonsky; American metropolis; Cinematic City; cinematic representations; Frame Enlargement; HUAC; Film Noir; Laurence Miller Gallery; Killer’s Kiss; Phantom Lady; Jules Dassin; Noir Narratives; Robert Siodmak; Skyline Views; Le Corbusier; Urban Imaginaries; 42nd Street; Rational Comprehensive Model; Big Combo; East Harlem; City Symphonies; Allen Baron; Dual Prism; Whitman’s Poetry