The Four Modes of Seeing Approaches to Medieval Imagery in Honor of Madeline Harrison Caviness
Coordonnateurs : Lane Evelyn Staudinger, Pastan Elizabeth Carson, Shortell Ellen M.
Contents: Introduction. Part 1: The Material Object: The glazing of Siena Cathedral's fenestra rotunda magna: preliminary observations from a production standpoint, Renée K. Burnam; Holding hands in the Virgin Chapel at Beauvais Cathedral, Michael W. Cothren; The Asseburg-Hedwig glass re-emerges, Timothy Husband; Material meaning: stained glass and the questions of authenticity, reception, workshop practice, and aesthetics, Virginia Chieffo Raguin. Part 2: Documentary Reconstruction: Prior Wibert's fountain houses: service and symbolism at Christ Church, Canterbury, Peter J. Fergusson; Sir William Horne and his 'scowred' window at Snailwell, Cambridgeshire, Richard Marks; Learning from Muskau: the Throne of Solomon window from the Carmelite Church at Boppard and its donation by Jakob von Sierck, Archbishop of Trier (1439-1456), Rüdiger Becksmann; Images lost/texts found: the original glazing program at Notre-Dame of Noyon, Evelyn Staudinger Lane. Part 3: Post-Disciplinary Approaches: Stained glass and architecture at Saint-Remi of Reims and at Braine: distinct or complementary disciplines?, Anne Prache; The integrated cathedral: thoughts on 'holism' and Gothic architecture, Paul Crossley; The sacred topography of Chartres Cathedral: the reliquary chasse of the Virgin in the liturgical choir and stained-glass decoration, Claudine Lautier; Frames of vision: architecture and stained glass at Clermont Cathedral, Michael T. Davis; 'The widows' money' and artistic integration in the axial chapel at Saint-Quentin, Ellen M. Shortell. Part 4: Multiple Readings: The center portal on the West façade at Reims: axes of meaning, Dorothy Gillerman; Seeing and understanding narrative and thematic method in the stained glass of the choir of Königsfelden ca. 1330-1340, Brigitte Kurmann-Schwarz; Modes of seeing Margaret of Antioch at Fornovo di Taro, Elizabeth C. Parker; Archbishops named and unnamed in the stained glass of Reims, Meredith Parsons Lillich. Part 5: Gender & Rec
Evelyn Staudinger Lane is Associate Professor of Art History in the Department of Art and Art History, Wheaton College, Norton, MA, USA.
Elizabeth Carson Pastan, Associate Professor of Art History, Department of Art History, Emory University, Atlanta, GA, USA.
Ellen M. Shortell is Professor of Art History and Chair of the Department of Critical Studies, Massachusetts College of Art and Design, Boston, MA, USA.
Date de parution : 11-2016
17.4x24.6 cm
Date de parution : 04-2009
17.4x24.6 cm
Thèmes de The Four Modes of Seeing :
Mots-clés :
Honorius III; Medieval Stained Glass; stained; Henry III; glass; Claudine Lautier; Renée K; Burnam; Stained Glass; Michael W; Cothren; Sedes Sapientiae; Timothy Husband; Christ Child; Virginia Chieffo Raguin; Innocent Iii; Peter J; Fergusson; Stained Glass Panels; Richard Marks; Choir Clerestory; Rüdiger Becksmann; Stained Glass Windows; Julien Chapuis; Nave Clerestories; Evelyn Staudinger Lane; Pope Innocent Iii; Anne Prache; Bishop’s Palace; Ellen Shortell; Architectural Canopy; Elizabeth Pastan; Corpus Vitrearum; Paul Crossley; North Transept; Choir Screen; Michael T; Davis; Siena Cathedral; Ellen M; Shortell; Nave South Aisle; Dorothy Gillerman; Axial Window; Brigitte Kurmann-Schwarz; South Transept; Elizabeth C; Parker; Holy Men; Meredith Parsons Lillich; Vice Versa; Pamela Sheingorn; Master Glazier; Martha Easton; Joan A; Holladay; Charles G; Nelson†; Corine Schleif; Agostino Paravicini Bagliani; Anne F; Harris; Nancy Thompson; Elizabeth A; R; Brown; Carl F; Barnes; Marilyn M; Beaven; Mary B; Shepard; Sarah Stanbury; Elizabeth Carson Pastan; Alyce A; Jordan