Systems of Rehearsal Stanislavsky, Brecht, Grotowski, and Brook
The gap between theory and practice in rehearsal is wide. many actors and directors apply theories without fully understanding them, and most accounts of rehearsal techniques fail to put the methods in context.
Systems of Rehearsal is the first systematic appraisal of the three principal paradigms in which virtually all theatre work is conducted today - those developed by Stanislavsky, Brecht and Grotowski. The author compares each system ot the work of the contemporary director who, says Mitter, is the Great Imitator of each of them: Peter Brook. The result is the most comprehensive introduction to modern theatre available.
Date de parution : 11-1992
13.8x21.6 cm
Date de parution : 09-2015
13.8x21.6 cm
Thème de Systems of Rehearsal :
Mots-clés :
peter; brook; midsummer; night's; dream; somatic; work; brooks; actors; yoshi; Apocalypsis Cum Figuris; Played Back; Common Language; Yoshi Oida; Somatic Work; Grotowski’s Work; Midsummer Night’s Dream; Grotowski’s Actors; Brecht’s Actors; Konstantin Stanislavsky; Stanislavsky; Stanislavskian Theatre; Caucasian Chalk Circle; Brook’s Actors; External Wholeness; Grotowski’s Theatre; Constant Prince; Brook’s Theatre; Electrical Musical Instruments; Brook’s Work; Pedestrian Gait; Grigori Kozintsev; Startling Modifications; Rehearsal Logs; Holy Theatre