Spectres from the Past Slavery and the Politics of "History" in West African and African-American Literature Routledge Research in American Literature and Culture Series
Auteur : Owusu Portia
Spectres from the Past: The "History" of Slavery in West African and African-American Narratives examines the merit of the claim that West African writers, in comparison to African-Americans authors, deliberately expunge the history of slavery from literary narratives. The book explores slavery in contemporary West African and African-American literature by looking at the politics of history and memory. It interrogates notions of History and memory by considering the possibility that shared traumas, such as West African and African-American experiences of slavery, can be remembered and historicised differently, according to critical factors such as socio-economic realities, cultural beliefs and familial traditions.
At the heart of the book are compelling and new readings of slavery in six literary narratives that draws on cultural philosophies, musicology and linguistics to demonstrate diverse and unusual ways that Black writers in West Africa and North America write about slavery in literature.
Introduction: Evoking Spectres in History.
Chapter 1: Literary Archaeology: The Uncovering and Recovering of Historical Memory in Toni Morrison’s Beloved.
Chapter 2: Articulating ‘Silence’: The Language of Death as Memory in Ama Ata Aidoo’s The Dilemma of a Ghost.
Chapter 3: Bloodlines and Blurred lines: Contested Memories and Freedom in Barbara Chase-Riboud’s Sally Hemings.
Chapter 4: The Limitations of ‘History’: Chika Ezeanya’s Re-visioning of the Early Years of Olaudah Equiano and Slavery in Before We Set Sail.
Chapter 5: Wreckages of History: The Past as Ongoing in Amiri Baraka’s Slave Ship: A Historical Pageant.
Chapter 6: The Magic of ‘History’ and Contradictions of ‘Return’ to the M(other) land in Syl Cheney-Coker’s The Last Harmattan of Alusine Dunbar.
Conclusion: Defining Silences.
Portia Owusu is currently a Visiting Assistant Professor of English at Texas A&M University. Her research interests include history and memory, cultural philosophy and literature and West African and African-American contemporary narratives. She received her PhD in 2017 in Africana Literature at the SOAS, University of London.
Date de parution : 12-2021
15.2x22.9 cm
Date de parution : 11-2019
15.2x22.9 cm
Thèmes de Spectres from the Past :
Mots-clés :
Sally Hemings; Trans-Atlantic Slave Trade; slaves; 16th Street Baptist Church; slave trade; Transatlantic Slave Trade; postcolonial studies; James Hemings; postcolonial literature; Experience Natural Disasters; transatlantic literature; Joseph Project; transatlantic studies; DNA Evidence; race; West African Writers; white supremecy; Cape Coast Castle; racism; Sierra Leonean History; power; Trans-Atlantic Slave Trade Database; diaspora; Ayi Kwei Armah; narrative; Neo-slave Narratives; contemporary literature; Slave Narratives; contemporary afrcian literature; African Writers; african american literature; Postcolonial African Literature; memory; African Historical Experience; cognition; Magic Realism; trauma; African American Historiography; black writers; Historiographic Metafiction; african american writers; Ama Ata Aidoo; Toni Morrison; Plantation Blood; Beloved; Enslaved Women; Jefferson’s Daughter; The Dilema of a Ghost; Barbara Chase-Riboud; Chika Ezeanya; Olaudah Equiano; historical memory; Before We Set Sail; Amiri Baraka; Slave Ship; The Last Harmattan of Alusine Dunbar; motherland; Cheney-Coker; african literature; civil rights; independence; tragedy