Performativity and Performance in Baroque Rome Visual Culture in Early Modernity Series
Coordonnateurs : Gillgren Peter, Snickare Mårten
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
Peter Gillgren is Anders Zorn Professor of Art History at Stockholm University, Sweden.
Mårten Snickare is Associate Professor of Art History at Stockholm University, Sweden.
Date de parution : 03-2012
17.4x24.6 cm
Date de parution : 05-2017
17.4x24.6 cm
Thème de Performativity and Performance in Baroque Rome :
Mots-clés :
Chiesa Nuova; Kungliga Biblioteket; Santa Maria Della Vittoria; National Library; forty; Figura Serpentinata; hours; Piazza San Pietro; devotion; Forty Hours Devotion; Mårten Snickare; Cornaro Chapel; Peter Burke; Barocci’s Paintings; Martin Olin; Clement IX; Camilla Kandare; Performative Gaze; Erika Fischer-Lichte; Peter Gillgren; Lars Berglund; Barocci’s Art; Nils Holger Petersen; Alexander VII; Genevieve Warwick; Forty Hours; Margaretha Rossholm Lagerlöf; Federico Barocci; Giovanni Careri; Photo Margaretha Rossholm; David Carrier; Paris De Grassis; Visitatio Sepulchri; William III; Young Man; Canonization Ceremony; Biblioteca Apostolica Vaticana; Wild Boar; Castrato Singers