Musical Listening in the Age of Technological Reproduction Musical Cultures of the Twentieth Century Series

Part 1 Facets of a Theoretical Question 1.Aesthetic Experience Under the Aegis of Technology. 2. Ideological, Social and Perceptual Factors in Live andRecorded Music. 3. On the Evolution of Private Record Collections:A Short Story. 4. Music and Technical Reproducibility: A Paradigm Shift. 5. Algorithmic and Nostalgic Listening: Post-subjectiveImplications of Computational and Empirical Research. 6. Listening to Histories of Listening: CollaborativeExperiments in Acoustemology with Nii Otoo Annan. Part 2 Remediations 7. Remediation or Opera on Screen? Some MisunderstandingsRegarding Recent Research. 8. Between Mediatization and Live Performance: The Music forGiorgio Strehler’s The Tempest (1978). 9. The ‘Remediated’ Rite of Spring. Part 3 Listening with Images 10. Listening to Images: A Historical Overview ofTheoretical Reflection. 11.Seeing Sounds, Hearing Images: Listening Outside theModernist Box. 12. The Transformation of Musical Listening:The Case of Electroacoustic Music. Part 4 Recordings and the New Aura 13. Neo-auratic Encoding: Phenomenological Framework andOperational Patterns. 14.‘If a Song Could Get Me You’: Analysis and the(Pop) Listener’s Perspective. 15.The Persistence of Analogue. Part 5 Composing and Performing with Electronic Means 16.Semiconducting: Making Music after the Transistor. 17.‘Live is Dead?’: Some Remarks about Live ElectronicsPractice and Listening. 18.Sonic Imprints: Instrumental Resynthesis inContemporary Composition. Part 6 Audiovisual Documentation in Ethnomusicological Research 19.New Trends in the Use of Audiovisual (and Audio)Technology in Contemporary Ethnomusicology. 20.Recording Out-takes: What can be Discovered in the‘Historical’ Recordings of Traditional Music. 21.Audiovisual Ethnography: New Paths for Research and Representation in Ethnomusicology.

Gianmario Borio is Professor of Musicology at the University of Pavia and Director of the Institute of Music at the Fondazione Giorgio Cini, Venice.