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Early music history, volume 21 Studies in Medieval and Early Modern Music Early Music History Series, Vol. 21

Langue : Anglais

Coordonnateur : Fenlon Iain

Couverture de l’ouvrage Early music history, volume 21
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-one include: Musica mundana, Aristotelian natural philosophy and Ptolemaic astronomy
Instruments real and imaginary: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello Anne-Emmanuelle Ceulemans, Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy Gabriella Ilnitchi, Eros and Thanatos: a Ficinian and Laurentian reading of Verdelot's Sì lieta e grata morte Stefano La Via, The Triodia Sacra as a key source for late-Renaissance music in southern Germany Christian Thomas Leitmeir, The debate over song in the Accademia Fiorentina Robert Nosow, The Cardona and Fernández de Córdoba coats of arms in the Chigi codex Emilio Ros-Fábregas.

Date de parution :

Ouvrage de 300 p.

1.8x23.4 cm

Sous réserve de disponibilité chez l'éditeur.

Prix indicatif 222,92 €

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Thème d’Early music history, volume 21 :

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