Contemporary Native Fiction Toward a Narrative Poetics of Survivance Narrative Theory and Culture Series
Auteur : Donahue James
Contemporary Native Fiction: Toward a Narrative Poetics of Survivance analyzes paradigmatic works of contemporary Native American/First Nations literary fiction using the tools of narrative theory. Each chapter is read through the lens of a narrative theory ? structuralist narratology, feminist narratology, rhetorical narratology, and unnatural narratology ? in order to demonstrate how the formal structure of these narratives engage the political issues raised in the text. Additionally, each chapter shows how the inclusion of Native American/First Nations-authored narratives productively advance the theoretical work project of those narrative theories. This book offers a broad survey of possible means by which narrative theory and critical race theories can productively work together and is key reading for students and researchers working in this area.
Introduction: Notes Toward a Narrative Poetics of Survivance
Chapter 1: Focalizing Survivance; Racializing Narratology
Chapter 2: Gendered Survivance and Intersectional Narratology
Chapter 3: Rhetorical Narrative and Racially Charged Disclosure
Chapter 4: Naturalizing Unnatural Native Narrative
Coda: Where Do We Go from Here?
Bibliography
James J. Donahue is Associate Professor of English & Communication at SUNY Potsdam. He is the author of Failed Frontiersmen: White Men and Myth in the Post-Sixties American Historical Romance as well as co-editor of Narrative, Race, and Ethnicity in the United States and Post-Soul Satire: Black Identity after Civil Rights.
Date de parution : 06-2021
15.2x22.9 cm
Date de parution : 02-2019
15.2x22.9 cm
Thème de Contemporary Native Fiction :
Mots-clés :
Manifest Manners; Sand Lizard; Native American Literature; SUNY Potsdam; Narrative; Native American Literary Studies; Feminist Theory; Thomas King’s Green Grass; Narrative Theory; Fools Crow; Race; Feminist Narratology; Politics; Survivance Narratives; First Nations; Free Indirect Discourse; James Welch; Native American Fiction; Leslie Marmon Silko; Native Presence; Gardens in the Dunes; Gerald Vizenor; Joseph Boyden; Unnatural Narratology; The Orenda; Feather Woman; Thomas King; Native Literature; Green Grass; Snow Falls; Running Water; Sun Dance Ceremony; structuralist narratology; Postindian Warrior; rhetorical narratology; Vice Versa; Indigenous North American Peoples; Ghost Dance; Authorial Audience; gender; native studies; memoir; autobiography; survivance; naturalization