Charlie Chaplin’s Modern Times The Work of Life in the Age of Mechanical Reproducibility
Auteur : Peters Carl
This book looks at Charlie Chaplin?s masterpiece, Modern Times (1936), through the lens of film aesthetics, structure, and post-modern perspective.
The naïve Tramp character of Modern Times is often seen as the embodiment of a revolutionary reaction to his age. However, this study of the film shows that it is not only difficult but also impossible to accept the long-established critical reception of Chaplin?s film and its characters in our own "Post-modern Times." Drawing from extensive research and bringing post-modern context to the film through a comparative analysis of Todd Phillips?s Joker (2019), the book introduces how exhilarating a comprehensive study of film can be for engaged viewers.
Illustrating that a detailed filmic reading of Modern Times can be a guide, or an extended case study, for analysing culture, this book will be of interest to students and teachers in film studies, literary studies, and the visual arts.
Preface: The Art of Seeing 1 Work 2 Life 3 A Comedian Sees the World Postscript: Meanwhile
Carl Peters is a scholar, curator, and author of bpNichol Comics (2002); textual vishyuns: image and text in the work of bill bissett (2011); and Studies in Description, the first annotated study of the entire text of Gertrude Stein’s Tender Buttons (2016).
Date de parution : 05-2024
13.8x21.6 cm
Date de parution : 11-2021
13.8x21.6 cm
Thèmes de Charlie Chaplin’s Modern Times :
Mots-clés :
Chaplin; film studies; Mechanical Reproducibility; classic films; Chaplin’s Films; american cinema; Night Watchman; chaplin's films; CHARLIE CHAPLIN; the tramp; Feeding Machine; critical film studies; Dark Knight Rises; Joker; Long Shot; Arthur Fleck; Klee’s Angel; Closing Image; Living Dead; VIP Section; Roast Duck; Chaplin’s Politics; Great Dictator; Main Character; Super Hero; Tramp’s Performance; White Space; Singing Waiter; Open Road; Fukuyama; Fortuitous Encounter; Home Sweet Home; Metal Nuts