Art, Design and Capital since the 1980s Production by Design Routledge Research in Design History Series
Auteur : Roberts Bill
This book examines artists? engagements with design and architecture since the 1980s, and asks what they reveal about contemporary capitalist production and social life. Setting recent practices in historical relief, and exploring the work of Dan Graham, Rita McBride, Tobias Rehberger and Liam Gillick, Bill Roberts argues that design is a singularly valuable lens through which artists evoke, trace and critique the forces and relations of production that underpin everyday experience in advanced capitalist economies.
1 Introduction: Design’s Significance for Contemporary Art; 2 The Proliferation of Dan Graham’s Pavilions; 3 Rita McBride’s Sculpture of Flows; 4 Tobias Rehberger’s Exquisite Corp.; 5 Liam Gillick’s Flights of Flexibility; 6 Afterword
Bill Roberts is a lecturer in art history at Christie’s Education London, UK.
Date de parution : 08-2019
17.4x24.6 cm
Thèmes d’Art, Design and Capital since the 1980s :
Mots-clés :
Virtual Production Line; capitalism; Global Information Processing Systems; art history; Bird’s Eye; design history; West Germany; contemporary art; Virtual Reality Modelling Language; contemporary design; Geometric Homogeneity; Dan Graham; Boijmans; Tobias Rehberger; Pathological Spread; Rita McBride; Moderna Museet; Liam Gillick; Contemporary Society; means of production; Boijmans Van Beuningen; economics; Air De Paris; elite; Palais De Tokyo; architecture; Museum Boijmans; architectural history; Mae West; commodity; Schirn Kunsthalle Frankfurt; exchange; Unspaced Text; exhibition; Dia Center; Abstract Space; MDF; Discussion Island; Site Specific Artwork; Mirror Glass; Video Salon