Affective Moments in the Films of Martel, Carri, and Puenzo, 1st ed. 2018
Auteur : Selimović Inela
1. Introduction.- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri’s La rabia (2008).- 3. Affective Otherness in Lucrecia Martel’s La ciénaga (2001).- 4. Lucía Puenzo’s El niño pez (2009): Fluid Intimacies, Affective Dwelling.- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri’s Los rubios (2003).- 6. Muted Gestures, Screaming Affects in Lucrecia Martel’s La mujer sin cabeza (2008).- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo’s Wakolda: El médico alemán (2013).- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo’s XXY (2007).- 9. Albertina Carri’s Géminis (2005): Leisurely Boredom, Incestuous Discontent.- 10. Lucrecia Martel’s La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis.- 11. Conclusion.
Inela Selimović is Assistant Professor of Spanish at Wellesley College, USA.
Date de parution : 04-2018
Ouvrage de 263 p.
14.8x21 cm
Thème d’Affective Moments in the Films of Martel, Carri, and Puenzo :
Mots-clés :
women directors; sociopolitical filmmaking; Argentine women filmmakers; Argentine cinema; Latin American Women Filmmakers; Latin American cinema; Lucrecia Martel; Albertina Carr; Lucía Puenzo; affective moments; female directors; affect in film; intimacy on screen; Politicized Intimacies; intimate tensions; memory in film; desire on screen; violence on screen