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3D Cinematic Aesthetics and Storytelling, 1st ed. 2018

Langue : Anglais

Auteur :

Couverture de l’ouvrage 3D Cinematic Aesthetics and Storytelling

This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D?s spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. 

1 Introduction: Stereoscopic Narrative, Spectacle, and 3DOntology.-2.From ‘Dimensional Effects’ to Digital 3D Cinema.-3.From ‘Redemption of Physical Reality’ to ‘Recreation of Perceptual (Hyper)reality’.-4.Stereoscopic Timespaces: Directionality, Dimensionalityand Temporality.-5.Volumetric Dramaturgy: Staging Drama in Depth.-6.Within and Without: Trans-Subjective Narrative Perspectives in Digital 3D Cinema.-7.Between Depth and Flatness: Shaping Stereoscopic Ontologies.-8.Conclusion

Yong Liu is Assistant Professor in Design & Creative Industry at University of Brunei Darussalam, Brunei. He publishes extensively on 3D cinematic aesthetics, digital storytelling and Chinese movie industry.

Provides a comprehensive discussion on 3D cinematic storytelling and aesthetics

Analyses digital 3D films that represent the current 3D wave, including Up (2009), Life of Pi (2012) and Gravity (2013)

Presents a timely contribution to new fields of media aesthetics and narrative research

Includes comparative examination of 2D and 3D visual ontology

Engagingly written and appeals to media scholars, students, professionals and policy-makers interested in media production and theory

Date de parution :

Ouvrage de 217 p.

14.8x21 cm

Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).

Prix indicatif 52,74 €

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Date de parution :

Ouvrage de 217 p.

14.8x21 cm

Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).

Prix indicatif 79,11 €

Ajouter au panier