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The Evolution of Operational Art, 1740-1813 From Frederick the Great to Napoleon Military History and Policy Series

Langue : Anglais

Auteur :

Couverture de l’ouvrage The Evolution of Operational Art, 1740-1813

Operational art emerged from the campaigns of Frederick the Great to the end of the Napoleonic Wars. It was the result of three dynamic interrelationships: between military and non-military factors such as social, economic and political developments; between military theory and practice; and between developments in military theory and practice in France and Prussia.

In the period 1740-1815 a major change in the complexity of warfare took place. This was reflected by an increase in the complexity of the analysis of warfare via the introduction of the operational level between the strategic and tactical levels.The evolution of operational art, driven by these three dialectical processes, evolved in stages. In the first stage, Revolutionary France had experimented with operational art though with limited success. Then, Napoleon had used it with remarkable success against an adversary clinging to outdated modes of warfare and organisation. In the final stage, Napoleon's operational art was successfully challenged by the Prussian brand.

List of maps, Acknowledgements, Introduction, 1 Military theory and practice: 1740–1791, 2 Military theory and practice: 1792–1806, 3 The Jena Campaign, 4 Prussian reforms, 5 Campaigns of 1813, Conclusion, Appendix, Notes, Bibliography, Index
Claus Telp obtained a PhD in War Studies at King's College London, and is senior lectuter in war studies at the Royal Military Academy Sandhurst.
This book is a new look at the evolution of operational art and its complex roots in history.

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15.6x23.4 cm

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15.6x23.4 cm

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