The Cinema and the Origins of Literary Modernism Routledge Interdisciplinary Perspectives on Literature Series
Auteur : Shail Andrew
Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism.
Shail?s study draws on little-known sources to create a detailed picture of cinema following its ?second birth? as both institution and medium. The book presents a comprehensive account of how UK-based modernism originated as a consequence of?rather than a conscious aesthetic response to?this new component of the cultural landscape. Film?s new accounts of language, endeavor, time, collectivity and political change are first considered, then related to the patterns that comprised modernist texts. Authors discussed include Ford Madox Ford, Joseph Conrad, Wyndham Lewis, Ezra Pound, H.D., James Joyce, Virginia Woolf and Dorothy Richardson.
Selected Contents: Introduction: From ‘the Cinematograph’ to ‘the Pictures' 1. The Cinema of Narrative Integration, the Demise of Impressionism and the Rise of Modernism 2. Cinema’s Continuous Present and Modernist Temporality 3. Mass Consciousness and Mass Cinema 4. Afterword: ‘a picture feverishly turned’
Andrew Shail is Lecturer in Film in the Department of English at Newcastle University, UK.
Date de parution : 07-2014
15.2x22.9 cm
Date de parution : 03-2012
Ouvrage de 256 p.
15.2x22.9 cm
Thèmes de The Cinema and the Origins of Literary Modernism :
Mots-clés :
Researcg; Literature; Film; Cinema; Modernism; Literary; Joyce; Eliot; Young Man; UK Film Industry; Picture Theatres; UK Film; UK Government’s Decision; Motion Picture Story; St Thomas Aquinas; Set Return Date; Female War Worker; Plot Duration; Past Tense; Narrative Duration; UK Player; Wandering Rocks; Mass Mind; Mrs Dalloway; Plot Time; Continuous Present; War Propaganda Bureau; Loose Collar; Dead Man; Past Perfect Tense; Pointed Roofs; Film Discourse; Scene Dissection