Terrence Malick: Sonic Style Sonic Style Filmmakers and Their Soundtracks Series
Auteur : Wierzbicki James
In the course of a decades-spanning career as a filmmaker, Terrence Malick has carved out a distinctive cinematic aesthetic. Central to this style is the use of sound. James Wierzbicki offers the first comprehensive study of Malick's soundtracks, arguing that they create a distinctive sonic style throughout his oeuvre and exploring how that style functions. Considering voice, noise, and music as elements in the soundtrack, this concise book enriches our understanding of one of our most philosophical filmmakers, and of the interplay between the sonic and visual elements in film.
1. Prologue / 2. Overview / 3. Voice / 4. Noise / 5. Music / 6. Epilogue
James Wierzbicki is Associate Professor of Musicology and Arts Music at the University of Sydney, Australia.
Date de parution : 12-2020
13.8x21.6 cm
Date de parution : 04-2019
13.8x21.6 cm
Thèmes de Terrence Malick: Sonic Style :
Mots-clés :
Young Man; Malick’s Films; Wolfgang Amadeus Mozart; Mozart; Early Period Films; Extended Peak Moment; DVD Version; Desert Rose; Thin Red Line; Native American Flute; Holly’s Walking; York Film Critics Circle; Book’s Main Chapters; Inspecting Construction Sites; Dolby Stereo; Morricone’s Music; Alexandre Desplat; Classical Style Cinema; Diegetic Noise; Main Character; Chopin; Ennio Morricone; Sonic Treatment
