Reading Literary Animals Medieval to Modern Perspectives on the Non-Human in Literature and Culture Series
Coordonnateurs : Edwards Karen L., Ryan Derek, Spencer Jane
Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.
Contents
Introduction
Karen L. Edwards, Derek Ryan, Jane Spencer
Part I Testing Metaphor1. Entities in the World: Intertextuality in Medieval Bestiaries and Fables
Carolynn Van Dyke
2. Una’s ‘Milkewhite Lambe’
Karen L. Edwards
3. Behn’s Beasts: Aesop’s Fables and Surinam’s Wildlife in Oroonoko
Jane Spencer
Part II Plotting Agency
4. Shakespeare’s Animal Parts
Philip Armstrong
5. Exit Pursuing a Human: Performing Animals on the Early Modern Stage
Andy Kesson
6. Collaborative Agency: Animals in Hardy’s Rural Novels
Virginia Richter
Part III Inscribing Voice
7. Counting Animals: Nonhuman Voices in Lear and Carroll
Kaori Nagai
8. ‘What am I?’: Locating the Indeterminate Voices of Ted Hughes’s Animal Poems
Carrie Smith
9. "Thou, Spotted Eros": Love Poetry, Taxonomy, and the Erotics of Adamic Naming
Matthew Margini
Part IV Exploiting Bodies10. The Hunting of the Hare: Female Virtue and Companionate Marriage in Henry Fielding’s Joseph Andrews and Tom Jones
Adela Ramos
11. "Filth and Fat and Blood and Foam": Animal Capital, Commodified Meat, and the "Human" in Great Expectations
Jennifer McDonell
12. Fiction, Fashion, and the Victorian Fur Seal Hunt
John Miller
Part V Loving Dogs
13. Animal Intimacies: Cross-Species Affect and the Lapdog Lyric
Laura Brown
14. Anthropomorphism, Personification and Humanization in William Wordsworth’s Dog Poems
James P. Carson
15. "Was it Flush, or was it Pan?": Virginia Woolf, Ethel Smyth, and Canine Biography
Derek Ryan
Karen L. Edwards is Professor of English at the University of Exeter, UK.
Derek Ryan is Senior Lecturer in Modernist Literature at the University of Kent, UK.
Jane Spencer is Professor of English at the University of Exeter, UK.
Date de parution : 09-2019
15.2x22.9 cm
Date de parution : 09-2019
15.2x22.9 cm
Thème de Reading Literary Animals :
Mots-clés :
Young Man; Anglophone literature; Wild Ducks; history of animals in literature; Moor Fowl; animal studies; Animal Kingdom; ethics; Steam Ship; humanity; posthumanist; Literary Animal Studies; non-human; Mouse’s Remembrance; culture; Aberdeen Bestiary; human culture; White Seal; language; Sealskin Jacket; linguistics; Golden Lion Tamarin; pets; Animal Vehicle; creatures; Seventeenth Century Natural History; question of the animal; Redshouldered Hawk; voice for animals; Hind Flipper; transformation; Northern Fur Seals; anglophone writing; Nonsense Texts; animal agency; Dullborough Town; early modern literature; Adamic Naming; animals in poetry; Lion Tamarin; beasts; Madding Crowd; humanization; Panthera Onca; anthromorphism; Seal Hunt; Wordsworth; Clever Hans Effect; personification; chidlren; Kipling; Lewis Carroll; Edward Lear; Shakespeare; tragedy; commodification; nature; life; Smithfield Markets; Hardy; agriculture; medieval literature; 18th century literature; love; taxonomy; Virginia Woolf; Ethel Smyth; Two Gentlemen of Verona; Alexander Pope; birdsong; natural history; Victorian literatire; Anthony and Cleopatra; Macbeth; symbolism; poststructuralist; House of Fame; Chaucer; Moral Fables; The Parliament of Fowls; novelty; Joseph Andrews; Tom Jones; Henry Fielding; Flush; A Story for Dog Lovers; Middle Ages; human–animal relations; animality