Racing Cyberculture Minoritarian Art and Cultural Politics on the Internet Routledge Studies in New Media and Cyberculture Series
Auteur : McGahan Christopher L.
Racing Cyberculture explores new media art that challenges the 'race-blind' myth of cyberspace. The particular cultural workers whose productions are addressed are the performance and installation artist Guillermo Gomez-Pena and Roberto Sifuentes, the UK new media arts collective Mongrel, the conceptual artists and composer Keith Obadike, and the multimedia artist Prema Murthy. The author looks at how works by these artists bring forward questions of racial and cultural identity as they intersect with information technology.
Introduction 1. Re-Searching Racial Projects in the Technoculture 2. Re-Playing ‘Racial Knowledge’ and Cybercultural Subjectivity 3. Re-Collecting Cyberculture and Racial Indentification in a Minoritarian Frame of Reference 4. Re-Posing Cyberporn and the Racialized Subject in Cyberculture. Conclusion: Addressing the Post-9/11 Crisis of Racialization
Chris McGahan (Ph.D. Performance Studies, NYU, 2004) is Adjunct Professor of English at Yeshiva University.
Date de parution : 06-2014
15.2x22.9 cm
Date de parution : 11-2007
15.2x22.9 cm
Thème de Racing Cyberculture :
Mots-clés :
internet; art; geoff; mulgan; electronic; disturbance; theater; racial; formation; ethnoracial; Young Man; TAF; Internet Art; Internet Artworks; Social Reproduction; Recombinant Identity; Natural Selection Sites; Kama Sutra; eBay Community; Online Role Playing; Great Porn; African American Cultural Identity; Porn Sites; Turkle’s Work; Heritage Gold; Amateur Porn; Internet Porn; Internet Culture; CAE; Electronic Disturbance Theater; Bla Bla Bla; Moving Image Pornographies; African American Racial Identity; Capital Punishment; South Asian Women