A Preface to Shakespeare's Comedies Preface Books Series
Auteur : Mangan Michael
This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well as supplying dramatic and critical analysis, this study sets the plays within their wider social and artistic context.
Michael Mangan begins by considering the social function of laughter, the use of humour in drama for handling social tensions in Elizabethan and Jacobean society and the resulting expectations the audience would have had about comedy in the theatre. In the second section he discusses the individual plays in the light of recent critical and theoretical research. The useful reference section at the end gives the reader a short bibliographic guide to key historical figures relevant to a study of Shakespeare's comedies and a detailed critical bibliography.
List of illustrations. Prefaratory note and acknowledgements. Prologue Shakespeare's England- an overview.
Part One: Contexts of Comedy. 1 Laughter and Elizabethan Society. 2 Fools, clowns and jesters. 3 An audience for comedy. 4 Twentieth century readers of comedy. Part Two: Critical Analysis. 5 Shakespeare's early comedies 1588-94. 6 A Midsummer Night's Dream c.1595. 7 Much Ado About Nothing 1598-9. 8 As You Like It c. 1599
9 Twelfth Night. Part Three: Reference Section. Short Biographies. Further Reading. Appendix: The Theatre of Shakespeare's London. Index
- Detailed analysis of plays - integrates scholarship and theoretical perspectives.
- Provides substantial background sections - sets plays in historical context.
- Emphasises social perspective - helps students to understand the relationship between dramatic texts and everyday life.
- Illuminates the theatrical dimension of comedies.
Date de parution : 01-2017
13.8x21.6 cm
Thème d’A Preface to Shakespeare's Comedies :
Mots-clés :
twelfth; night; shakespearean; comedy; nick; bottom; love's; labour's; lost; midsummer; Young Men; Midsummer Night's Dream; Twelfth Night; Lord Chamberlain’s Men; Cross-dressing Plot; Sir Andrew Aguecheek; Peter Quince; Shakespeare’s Early Comedies; Independent Woman; Elizabethan Theatre; Shakespeare’s Comedies; Sir Toby Belch; Battle Between Carnival And Lent; Sir Topas; Christmas Gambol; Duke Senior; Lear’s Fool; Court Fool; Duke Theseus; Love's Labour's Won; Kate’s Final Speech; Love's Labour; Philip Stubbes; Tarlton’s Jests