Popular Music and Society (3rd Ed.)
Auteurs : Longhurst Brian, Bogdanovic Danijela
- The contemporary organization of the music industry
- The effects of technological change on production
- The history and politics of popular music
- Gender, sexuality and ethnicity
- Subcultures
- Fans and music celebrities
This new edition adds sections on the impact of digital media on popular music production and consumption and incorporates original ethnographic research on musicianship and musical practices. It will continue to be required reading for students of the sociology of culture, media and communication studies, and popular culture.
List of Figures
List of Tables
List of Boxes
Acknowledgements
Preface
Introduction: Constraints and Creativity -- Arguments and Framework
Part I Production
1 The Pop Music Industry
2 The Social Production of Music
Part II Text
3 History, Politics and Sexuality
4 ‘Black’ Music: Genres and Social Constructions
5 Texts and Meaning
6 Performance, Dance, Distinction and the Body
Part III Audience
7 Effects, Audiences and Subcultures
8 Fans, Production and Consumption
9 Beyond Subcultures and Fans: New Audiences, Scenes and Everyday Life
Conclusion
Further Reading
References
Brian Longhurst is Professor of Sociology at the University of Salford
Danijela Bogdanovic is Lecturer at The University of Liverpool and Associate Lecturer at The Open University
Date de parution : 09-2014
Ouvrage de 278 p.
17.1x24.6 cm
Date de parution : 10-2014
Ouvrage de 312 p.
17x24.4 cm
Mots-clés :
popular music, music, popular culture, culture, society, cultural studies, sociology, media and communications, media studies