Musical Rhythm in the Age of Digital Reproduction Ashgate Popular and Folk Music Series
Musical Rhythm in the Age of Digital Reproduction presents new insights into the study of musical rhythm through investigations of the micro-rhythmic design of groove-based music. The main purpose of the book is to investigate how technological mediation - in the age of digital music production tools - has influenced the design of rhythm at the micro level. Through close readings of technology-driven popular music genres, such as contemporary R&B, hip-hop, trip-hop, electro-pop, electronica, house and techno, as well as played folk music styles, the book sheds light on how investigations of the musical-temporal relationships of groove-based musics might be fruitfully pursued, in particular with regard to their micro-rhythmic features. This book is based on contributions to the project Rhythm in the Age of Digital Reproduction (RADR), a five-year research project running from 2004 to 2009 that was funded by the Norwegian Research Council.
Date de parution : 11-2010
15.6x23.4 cm
Date de parution : 10-2016
15.6x23.4 cm
Thème de Musical Rhythm in the Age of Digital Reproduction :
Mots-clés :
UK Garage; bass; Played Back; drum; IOI; Ives Chor; Vice Versa; Kristoffer Carlsen; Pop Stars; Maria A.G; Witek; UK Style; Mats Johansson; Midi Data; Kristoffer Yddal Bjerke; Bass Drum Sound; Eric F; Clarke; Country Music; Hans T; Zeiner-Henriksen; Bass Drum; Serge Lacasse; Ecological Perceptual Theory; Ragnhild Brøvig-Hanssen; Snare Drum; Paul Harkins; Creaky Voice; Simon Zagorski-Thomas; Opaque Mediation; Tellef Kvifte; Amplitude Graphs; Rhythmic Layers; Intensity Graph; Vocal Folds; Rhythmic Events; Bass Synth; Midi Clip; Global Tempo; Basement Jaxx; Beat Category; Attentional Pulse