Exploring Morality and Sexuality in Asian Cinema Cinematic Boundaries
Auteur : Pugsley Peter C.
List of Figures vii
List of Tables ix
Acknowledgements xi
Introduction 1
1 Indian Cinema’s New Aesthetic 13
2 Visual Decorum and Chasteness in Chinese Film 41
3 Maintaining Respectability in Singaporean and Malaysian Cinema 73
4 An Open Mind: Japanese Cinema’s Sexual Revolution 99
5 Culture, Tradition and Sexuality in South Korean Cinema 117
Conclusion 131
Films Cited 141
Bibliography 149
Index
Dr. Peter C. Pugsley is Senior Lecturer in the Department of Media at the University of Adelaide in South Australia. He teaches in the subjects Asian Screen Media, Advanced Media Theory, Broadcast TV & Radio, and Japanese Media Cultures (taught in Kyoto, Japan). Peter was formerly based in the Media and Communications Program at the University of Melbourne, Australia, and also taught in the MA (Communications) at RMIT University. In October 2011 he was a Visiting Research fellow at Sophia University, Tokyo. In 2013 he published the sole-authored monograph Tradition, Culture and Aesthetics in Contemporary Asian Cinema (Ashgate). His published work has appeared in refereed journals including Asian Studies Review, International Communication Gazette, Asian Journal of Communication, Continuum: Journal of Media & Cultural Studies and Westminster Papers on Communication and Culture. Recent book chapters include 'Hong Kong Film as Crossover Cinema: Maintaining the HK Aesthetic', in Crossover Cinema: Cross-Cultural Film from Production to Reception, (2013) edited by Sukhmani Khorana, Routledge, and ’Asia: The Nationalist Geopolitics of India's Hindi Cinema’, in The Routledge Companion to Film and Politics (2014), edited by Yannis Tzioumakis and Claire Molloy, Routledge, London.
Date de parution : 06-2020
15.6x23.4 cm
Date de parution : 12-2015
15.6x23.4 cm
Thème d’Exploring Morality and Sexuality in Asian Cinema :
Mots-clés :
Young Men; IP Man; Adding Air; Independent Woman; International Monetary Fund; Zhang Ziyi; Korean Cinema; General Release Films; Hindi Films; Asian Cinema; Ancient Indian Writings; Salaam Namaste; Malaysian Cinema; South Korean Cinema; Korean Film Industry; Korean Filmmaking; Cinematic Boundaries; Zhang Yimou; Kung Fu Hustle; Bollywood Films; Sexual Aggressors; Singaporean Film; Air Doll; Art House Cinema; Bong Joon Ho