1. Machaut's motet 15 and the Roman de la rose: the literary context of Amours qui a le pouoir/Faus Samblant m'a deceii/Vidi Dominum Kevin Brownlee, 2. Decpetion, exegesis and sounding number in Machaut's motet 15 Margaret Bent, 3. 'Figura poetica molto vaga': structure and meaning in Rinuccini's Euridice Bojan Bujic, 4. Giulio de' Medici's music books Anthony M. Cummings, 5. On the staging of madrigal comedies Martha Farahat, 6. Parisian nobels, a Scottish princess and the woman's voice in late medieval song Paula Higgins, 7. The earliest sources of Notker's sequences: St Gallen, Vadiana 317 and Paris, Bibliotheque Nationale lat. 10587 Susan Rankin, 8. Petrus de Domarto's Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century Rob C. Wegman, Reviews.