Decadence and Modernism in European and Russian Literature and Culture, 1st ed. 2019 Aesthetics and Anxiety in the 1890s
Auteur : Stone Jonathan
Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement with Decadence and Symbolism, the unsustainable combination of this world and the other. With a broadly framed literary and cultural approach, Jonathan Stone examinesa shift in perspective that explodes the notion of reality and showcases the uneasy relationship between the tangible and intangible aspects of the surrounding world. Modernism quenches a growing fascination with the ephemeral and that which cannot be seen while also doubling down on the significance of the material world and finding profound meaning in the physical and the corporeal. Decadence and Symbolism complement the broader historical trajectory of the fin de siècle by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century. Stone seeks to recreate a significant historical and cultural moment in the development of modernity, a moment that embraces the concept of Decadence while repurposing its aesthetic and social import to help navigate the fundamental changes that accompanied the dawn of the twentieth century.
1. Introduction: Visible and Invisible Modernity
1.1 The Modernist Mindset: Ephemerality and Corporeality
1.2 Crises
1.3 Between Realism and High Modernism: The Fin-de-Siècle Contexts of Symbolism
and Decadence
1.4 Theorizing Modernity
1.5 The Aesthetics, Metaphysics, Ethics, and Philosophy of Decadence and Modernism
2. Decadent Style with a Symbolist Worldview: Palimpsest, Mise en abyme, and the
Perils of Profound Superficiality
2.1 The Russian 1890s and Modernism ex nihilo
2.2 Misleading Mirrors in The Dramatic Symphony
2.3 Layered Meaning in The Outcast
3. Decadent Metaphysics
3.1 Diagnosing Decadence: Dracula and The World of Art
3.2 Decadent Anxiety
3.3 The Case of Zinaida Gippius
3.4 A Symbolist Manifesto
3.5 Decadent Morbidity
4. The Danger of Seeing Too Much: Fin-de-siècle Ethics and Aesthetics in Oscar Wilde’s Salome
4.1 Decadent Society and the Embrace of the Exotic
4.2 Wilde and the Tribulations of Modernist Identity
4.3 The Troubling Gaze in Salome
4.4 The Untroubled Gaze in Kipling’s Ballads
5. Meaningfulness and Superficiality: Joseph Conrad’s Surface Truths
5.1 Marlow’s Decadence
5.2 Kurt’s (anti-idealistic) Symbolism
5.3 Nightmares of Modernity
5.4 Truth and the Modernist Mindset
5.5 The New Epistemologies
6. When Metaphor Throttles Metonymy: The Perils of Misreading in Georges Rodenbach’s Bruges-la-Morte
6.1 Decadent Hauntings
6.2 Symbolist Spirits
6.3 Museums and Memories
6.4 Modernity and Technology
7. Conclusion: Fin-de-siècle Endings and Beginnings
Jonathan Stone is Associate Professor of Russian and has served as Chair of Comparative Literary Studies at Franklin & Marshall College, USA. He studies early Russian modernism, European Decadence, and the print and material culture of the fin de siècle. He is the author of The Historical Dictionary of Russian Literature (2013)and The Institutions of Russian Modernism: Conceptualizing, Publishing, and Reading Symbolism (2017).
Highlights the vast differences between the eras of realism and modernism
Compares significant aesthetic, philosophical, and metaphysical concepts that informed early modernism
Illustrates the historical and cultural development of modernity
Date de parution : 12-2020
Ouvrage de 219 p.
14.8x21 cm
Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).
Prix indicatif 84,39 €
Ajouter au panierDate de parution : 12-2019
Ouvrage de 219 p.
14.8x21 cm
Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).
Prix indicatif 84,39 €
Ajouter au panier
