Christ to coke: how image becomes icon How Image Becomes Icon

Image, branding, and logos are obsessions of our age. Iconic images dominate the media. Christ to Coke is the first book to look at all the main types of visual icons. It does so via eleven supreme and mega-famous examples, both historical and contemporary, to see how they arose and how they continue to function. Along the way, we encounter the often weird and wonderful ways that they become transformed in an astonishing variety of ways and contexts. How, for example, has the communist revolutionary Che become a romantic hero for middle-class teenagers? The stock image of Christ's face is the founding icon - literally, since he was the central subject of early icon painting. Some of the icons that follow are general, like the cross, the lion, and the heart-shape. Some are specific, such as the Mona Lisa, Che Guevara, and the famous photograph of the napalmed girl in Vietnam. The American flag, the "Stars and Stripes", does not quite fit into either category. Modern icons come from commerce, led by the Coca-Cola bottle, and from science, most notably the double helix of DNA and Einstein's famous equation E=mc2. The stories, researched using the skills of a leading visual historian, are told in a vivid and personal manner. Some are funny

Preface and Acknowledgements. List of Plates. Introduction. 1. Christ. The True Icon. 2. The Cross. 3. The Heart. 4. The Lion. 5. Mona Lisa. 6. Che. 7. Napalmed and Naked. 8. Stars and Stripes. 9. Coke. The Bottle. 10. DNA. 11. E=mc2. 12. Fuzzy Formulas.

Martin Kemp FBA is Emeritus Professor in the History of Art at Trinity College, Oxford University. He has written, broadcast and curated exhibitions on imagery in art and science from the Renaissance to the present day, including The Science of Art. Optical Themes in Western Art from Brunelleschi to Seurat (1992), The Human Animal in Western Art and Science (2007), Leonardo, and the prize-winning Leonardo da Vinci. The marvellous works of nature and man (1989 and 2006). His book on the newly discovered Leonardo portrait, La Bella Principessa, written with Pascal Cotte, was published in 2010.

Ostensibly dedicated to how an image becomes an icon, this fascinating book is mostly about how a well-trained, curious mind pusues its many enthusiasms and examines its place in time and history.