Acting: The Basics (2nd Ed.) The Basics The Basics Series
Auteur : Merlin Bella
Now in a vibrantly revised second editon, Acting: The Basics remains a practical and theoretical guide to the world of the professional actor, which skilfully combines ideas from a range of practitioners and linking the academy to the industry. Retaining a balance between acting history, a discussion of pioneers and a consideration of the practicalities of acting techniques, the new edition includes a discussion of acting for the screen as well as the practicalities of stage acting, including training, auditioning and rehearsing. With a glossary of terms and useful website suggestions, this is the ideal introduction for anyone wanting to learn more about the practice and history of acting.
Preface
Introduction
1. A Brief History of Acting
2. ‘I Can Do That’: Actor-Training. 3.
3. ‘You Got the Part!: Auditions.
4. ‘Building a Character’: Rehearsal Processes.
5. ‘Another Opening, Another Show!’: Performance Practices.
6. ‘Passing the Baton’: Eleven Executors of Acting.
Glossary of Terms
Bibliography
Index.
Bella Merlin is Professor of Acting and Directing at the University of California, Davis, Riverside, as well as an actor and trainer.
Date de parution : 10-2017
12.9x19.8 cm
Disponible chez l'éditeur (délai d'approvisionnement : 14 jours).
Prix indicatif 117,69 €
Ajouter au panierThèmes d’Acting: The Basics :
Mots-clés :
Michael Chekhov; Konstantin Stanislavsky; Actor Training; Stanislavsky; Methods; Affective Memory; Fundamentals of Acting; Dynamic Listening; Working with Actors; Vice Versa; History of Acting; Wo; Actor; Make Up; Training; Mat; Auditions; BFA Programme; Character; Paper Canoe; Rehearsal Processes; Dual Consciousness; Performance Practices; Alba Emoting; Executors of Acting; Odin Teatret; industry; Neutral Mask; non-realistic genres; Meryl Streep; Brecht; BFA; post-dramatic; Feldenkrais Method; contemporary performance; Saratoga International Theater Institute; Jacques Lecoq; psychological; Real Life Person; Devising; Prepping; Collaboration; Lee Strasberg; Director; Strasberg; text analysis; Onstage Partner; narrative; fact-based drama; ethics; screen acting; Augusto Boal; social change; social justice; theatre; vsevelod meyerhold; stella adler; sanford meisner; david mamet; jerzy grotowski; eugenio barba; tadashi suzuki; Speech and Performance; Performativity; Directing; Acting for Film Makers; Acting Techniques; Essential Skills