Respect for acting (harback)

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Langue : Anglais
Couverture de l'ouvrage Respect for acting (harback)

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Ouvrage 240 p. · 25.6x14.8 cm · Relié

Résumé de Respect for acting (harback)

This fascinating and detailed book about acting is Miss Hagens credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute."
-Publishers Weekly

"Uta Hagen"s Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting."
-Brooks Atkinson

"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation."
-Library Journal

"Respect for Acting is a simple, lucid and sympathetic statement of actors" problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting."
-Harold Clurman

"Uta Hagen"s Respect for Acting...is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft."
-Los Angeles Times

"Uta Hagen is our greatest living actor, she is, moreover, interested and mystified by the presence of talent and its workings, her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her."
-Fritz Weaver

"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How-To" kind I"d give it four curtain calls, and two hollers of "Author, Author
-King Features Syndicate

Sommaire de Respect for acting (harback)

PART ONE: The Actor.

Introduction.

1. Concept.

2. Identity.

3. Substitution.

4. Emotional Memory.

5. Sense Memory.

6. The Five Senses.

7. Thinking.

8. Walking and Talking.

9. Improvisation.

10. Reality.

PART TWO: The Object Exercises.

Introduction.

11. The Basic Object Exercise.

12. Three Entrances.

13. Immediacy.

14. The Forth Wall.

15. Endowment.

16. Talking to Yourself.

17. Outdoors.

18. Conditioning Forces.

19. History.

20. Character Action.

PART THREE: The Play and the Role.

Introduction.

21. First Contact with The Play.

22. The Character.

23. Circumstances.

24. Relationship.

25. The Objective.

26. The Obstacle.

27. The Action.

28. The Rehearsal.

29. Practical Problems.

30. Communication.

31. Style.

Epilogue.

Index.